images via That Funny Feeling | Breakfast at Tiffany’s | Pillow Talk | An Affair to Remember
Pulling off pumpkin is kind of tough! There’s a shade between Halloween-orange and garish-bright that is hard to find but doing sweaters like Sandra, Audrey’s bright coats, Doris’s accessories, or Deborah’s scarf is a pretty easy formula to follow for making this October color work. **I’m insanely jealous of that handbag behind Doris Day. Doris, where did you get that? Help a purse-desperate girl out?**
I’m going to ask all my lovely readers if they would be patient with me this weekend. I’m heading out of town and won’t be in the proximity of the wonderful world of the web to update VMMV. I could of course plan out some posts and have them timed and ready to publish in my absence, but I’m so looking forward to shutting every connection down that I’ve been sustaining for oh-so-long that I’m not even going to do that. I am planning on snapping as many pictures as I can though to document my expedition and I might be convinced to do a little Instagramming, so, if you’re a follower you can see where I’m off too and if you’re not, follow me!
I’m really really looking forward to the break. It’s going to be a serious mental health vacation and I’m rather looking forward to unplugging even though lately blogging hasn’t been high enough on my priority list. dang it. After work and homework are done, I haven’t yet figured out how to keep my brain creative enough to maintain my usual blog schedule. This break I’m hoping will jumpstart me again though and also will get me closer to when I can share something so very exciting that I’ve been keeping quiet. Stay tuned! I can’t wait to share and if I wasn’t escaping I might just slip…
Bonjour Tristesse (“Hello Sadness”) is a fairly obscure novel written by Françoise Sagan in 1954 and adapted into a 1958 film version starring Deborah Kerr and David Niven. The rather depressing story follows a young girl abroad with her playboy father who bases his life on Oscar Wilde’s famous line: “Sin is the only note of vivid colour that persists in the modern world.” Of course, the consequences of his life-motto are vivid indeed…and, not in a good way. As foreshadowed by the title, the novel and the film end in tragedy and David Niven, the playboy father, learns that his view of life may bring instant gratification, but it also forces him into saying over and over, “bonjour tristesse.”
Despite all the sadness, a silver lining in the film version of the novel is Deborah Kerr’s adorable spring/summer style. She dresses comfortably without ever looking sloppy, and casual without ever looking lazy. I think her secret is pairing casual items with a tailored piece: putting shorts with a button-down, an easy, tailored shift-dress with a scarf instead of t-shirts and cut-offs. Even spending days at the beach, her hair is always pinned into submission and she never looks like she had an “I give up day.” Instead, though the film is rather dark, to Deborah Kerr you could definitely always say, “bonjour beauté!”
Bonjour tristesse images via lemonwade.com | filmposterarchive